In 1972, the Canadian Federal government got into the music production business when it contributed $30,000 to the Maple Leaf Junket project, put together by music journalist Richie Yorke along with $50,000 from the Canadian Record Manufacturer’s Association. The plan was to airlift about 100 writers, music journalists, broadcasters and film producers from 14 European countries to an all expenses 4 day trip from Montreal to Toronto to showcase the Canadian music scene, culminating in two shows at Massey Hall - June 6 for folk and the 7th for rock. By all accounts it was a busy hectic schedule of long days and longer nights - the MMJ organizers were so keen to put as many bands on stage that they limited sets to 30 minutes in a multi-hour parade of acts.
In 2018 the CBC put together a short doc on the MMJ with some interviews both then and now as well as a look back at how Crowbar made an impact as last act of the night. Click through to the video here.
On June 7th issue of the Globe, Jack Batten’s “Pop Scene” column titled “Paying people slightly ignored” noted that the event was for the vip’s flown in and not the paying public, quoting one performer calling it a “meat market”. He also said: “… the number of performers and necessary limit on time hardly gave many of the singers much chance to develop a mood or sustain an act“. Lighthouse’s co-founder and drummer Skip Prokop as pretty outspoken about it - here’s the performance of “One Fine Morning” prefaced with an interview clip where he vents: